fragments of history
In these times of polarization, instability, and moral injury, I’d like to share with you some of my recent encounters with beauty. By reminding us of our place in the broader arc of history and our shared humanity across cultures and systems of interdependence, may these pieces help inspire and heal.
Espiral Escalonada Motif Fragment, about 200-500 CE, Nasca, Peru
fragments of history
Over the holidays, I went with a dear art historian friend to visit the Art Institute of Chicago, with a special interest in seeing a textile arts exhibition called On Loss and Absence. The exhibition is open until March 16, 2026. I’d love to share with you two pieces that especially nourished me.
This first is a fragment of a textile with the “Espiral Escalonada” motif. From the caption:
“It consists of two elements: the step, which some interpret as symbolizing the Andeal cosmological concept of Pacha (space-time/father), and the spiral, possibly symbolizing Mama (origin/continuity). Together, these two elements may embody the Andean principles of unity and duality, along with other complementary forces like masculine/feminine, interior/exterior, and light/darkness.”
The interlocking patterns of this piece remind me of Tauba Auerbach’s 2017 book A Partial Taxonomy of Linear Ornament.
Talismanic Tunic, mid–late 20th century, Djenné or Tombouctou, Mali
From the caption:
“Traditionally worn discreetly under other clothing, this tunic—also known as a “charm gown”—physically and spiritually protects its wearer. […] The name of Allah, magic squares, and other talismanic and geometric designs were written in ink across the garment as additional layers of blessing and protection.”
This piece reminds me of the Magic Squares at the Sagrada Familia in Barcelona. May these fragments of beauty inspire you as you step into the New Year.